By Mike Davis at versobooks.com / 24 October 2011
Who could have envisioned Occupy Wall Street and its sudden wildflower-like profusion in cities large and small?
John Carpenter could have, and did. Almost a quarter of a century ago (1988), the master of date-night terror (Halloween, The Thing), wrote and directed They Live, depicting the Age of Reagan as a catastrophic alien invasion. In one of the film’s brilliant early scenes, a huge third-world shantytown is reflected across the Hollywood Freeway in the sinister mirror-glass of Bunker Hill’s corporate skyscrapers.
They Live remains Carpenter’s subversive tour de force. Few who’ve seen it could forget his portrayal of billionaire bankers and evil mediacrats and their zombie-distant rule over a pulverized American working class living in tents on a rubble-strewn hillside and begging for jobs. From this negative equality of homelessness and despair, and thanks to the magic dark glasses found by the enigmatic Nada (played by “Rowdy” Roddy Piper), the proletariat finally achieves interracial unity, sees through the subliminal deceptions of capitalism, and gets angry.
Yes, I know, I’m reading ahead. The Occupy the World movement is still looking for its magic glasses (program, demands, strategy, and so on) and its anger remains on Gandhian low heat. But, as Carpenter foresaw, force enough Americans out of their homes and/or careers (or at least torment tens of millions with the possibility) and something new and huge will begin to slouch towards Goldman Sachs. And unlike the “Tea Party,” so far it has no puppet strings.
Complete article: http://www.versobooks.com/blogs/766-mike-davis-wall-street-through-the-augmented-eyes-of-rowdy-roddy-piper